12 listopada, 2019
09 listopada, 2019
HP MOSTAR Etnološko blago 2019. / Ethnological Treasure 2019.
Jatagan, kao hladno oružje orijentalnog podrijetla, bio je značajka svih naroda na Balkanu, a posebice na tlu Dalmacije, Bosne, Hercegovine, Srbije, Crne Gore, Boke, Albanije i dr. Na tlo Balkana dolazi preko Otomanskog carstva i svaki primjerak jatagana je unikatan zbog ručne izrade. Obično se dijele na crnosapce i bjelosapce po boji drške koja je bila od roga ili kosti.
Dalmatinski jatagan M1869. jedinstven je primjer hladnog oružja u svijetu, budući da se ovdje više ne radi o unikatnim primjercima već o polu-industrijskoj/polu-manufakturnoj proizvodnji koja podrazumijeva serijsku proizvodnju potpuno identičnih primjeraka u smislu dimenzija, izgleda i težine te serijskog broja i oznake postrojbe. Uz to je i drška od umjetnog materijala derivata bakelita pa je u tom pogledu specifičan i revolucionaran. Svi poznati primjerci jatagana M1869. imaju otisnutu vojno-inventarsku oznaku koja se sastoji od naziva bojne i broja oružja u postrojbi, a neke od tih brojki su visoke i iz njih se da zaključiti kako su svi domobrani bili naoružani takvim oružjem.O tome nam svjedoči i slika austrougarskog vojnog slikara Juliusa von Blaasa koja prikazuje napad 79. bojne (vođene lokalnim stanovnikom) na Livno pri okupaciji Bosne i Hercegovine godine 1878. godine. (Manuel Martinović)
Hrvatska pošta Mostar izdala je prigodnu poštansku marku u arku od 8 maraka, žig i omotnicu prvoga dana (FDC).
Yatagan, as a cold weapon of oriental origin, was commonly used among all peoples in the Balkans, and especially in Dalmatia, Bosnia, Herzegovina, Serbia, Montenegro, Boka, Albania and other. It came to the Balkans via the Ottoman Empire, and each yatagan is handmade and thus unique. They are usually divided into dark and white-hilted ones by the color of a horn or bone handle.
The Dalmatian yatagan M 1869 is a unique model of the world's cold weapon, since these are no longer unique but semi-industrially or semi-manufactory made pieces which involve serial production of identical pieces in terms of their dimensions, appearance and weight, and serial number and unit designations. Also, the handle is made of man-made bakelite derivatives, so it is unique and avant-garde in this respect as well. All known pieces of yataghan M 1869 have an army inventory stamp consisting of the name of the battalion and the number of weapons in the unit, and some of these figures are high and it can be inferred that all the domobrans were armed with such weapons. The image of the Austro-Hungarian military painter Julius von Blaas depicting the attack of the 79th Battalion (led by a local resident) on Livno during the occupation of Bosnia and Herzegovina in 1878 testifies to this. (Manuel Martinović)
Croatian Post Mostar has issued a regular postage stamp in a sheet 8, a postmark and first day cover (FDC).
Dalmatinski jatagan M1869. jedinstven je primjer hladnog oružja u svijetu, budući da se ovdje više ne radi o unikatnim primjercima već o polu-industrijskoj/polu-manufakturnoj proizvodnji koja podrazumijeva serijsku proizvodnju potpuno identičnih primjeraka u smislu dimenzija, izgleda i težine te serijskog broja i oznake postrojbe. Uz to je i drška od umjetnog materijala derivata bakelita pa je u tom pogledu specifičan i revolucionaran. Svi poznati primjerci jatagana M1869. imaju otisnutu vojno-inventarsku oznaku koja se sastoji od naziva bojne i broja oružja u postrojbi, a neke od tih brojki su visoke i iz njih se da zaključiti kako su svi domobrani bili naoružani takvim oružjem.O tome nam svjedoči i slika austrougarskog vojnog slikara Juliusa von Blaasa koja prikazuje napad 79. bojne (vođene lokalnim stanovnikom) na Livno pri okupaciji Bosne i Hercegovine godine 1878. godine. (Manuel Martinović)
Hrvatska pošta Mostar izdala je prigodnu poštansku marku u arku od 8 maraka, žig i omotnicu prvoga dana (FDC).
Yatagan, as a cold weapon of oriental origin, was commonly used among all peoples in the Balkans, and especially in Dalmatia, Bosnia, Herzegovina, Serbia, Montenegro, Boka, Albania and other. It came to the Balkans via the Ottoman Empire, and each yatagan is handmade and thus unique. They are usually divided into dark and white-hilted ones by the color of a horn or bone handle.
The Dalmatian yatagan M 1869 is a unique model of the world's cold weapon, since these are no longer unique but semi-industrially or semi-manufactory made pieces which involve serial production of identical pieces in terms of their dimensions, appearance and weight, and serial number and unit designations. Also, the handle is made of man-made bakelite derivatives, so it is unique and avant-garde in this respect as well. All known pieces of yataghan M 1869 have an army inventory stamp consisting of the name of the battalion and the number of weapons in the unit, and some of these figures are high and it can be inferred that all the domobrans were armed with such weapons. The image of the Austro-Hungarian military painter Julius von Blaas depicting the attack of the 79th Battalion (led by a local resident) on Livno during the occupation of Bosnia and Herzegovina in 1878 testifies to this. (Manuel Martinović)
Croatian Post Mostar has issued a regular postage stamp in a sheet 8, a postmark and first day cover (FDC).
HP Mostar
08 listopada, 2019
04 listopada, 2019
HP MOSTAR Međunarodni dan kulturne baštine / World Heritage Day
Kulturna baština jedinstvena je i nenadomjestiva te mora biti očuvana kao vrijednost za buduće naraštaje. Akademski slikar i likovni pedagog Ivica Vlašić u svom umjetničkom opusu najčešće slika pejzaže i konje te idiličnu ljepotu prirode livanjskog kraja koju, kroz svoja djela, ostavlja svima nama u kulturno naslijeđe.
Ivica Vlašić (rođen 23. 11. 1954. u Varešu, živi i radi u Livnu) diplomirao je na Akademiji likovnih umjetnosti u Sarajevu 1976. Iste godine odlazi na studijsko putovanje u Pariz, a 1981. specijalizira slikarstvo kao stipendist poljske vlade u Varšavi. Njegova djela odišu poštovanjem prema svijetu koji nas okružuje. Idilična priroda, mir zimske idile ili bujna vegetacija i nesputani konji vječna su inspiracija umjetnika koji zaustavlja trenutak ljepote u kojemu uživamo. Ostvario je više od 50 samostalnih te sudjelovao na više od 150 skupnih izložaba. Uvršten je u Enciklopediju hrvatske likovne umjetnosti 1996. godine, a 1997. godine u Nacionalnu zbirku grafika Hrvatskog kluba za međunarodnu suradnju kao "Aetas aurea hrvatske grafike". Njegove slike nalaze se u fundusima muzeja i galerija te privatnim kolekcijama širom svijeta. Dobitnik je brojnih priznanja i nagrada, organizator i sudionik brojnih likovnih kolonija od kojih su mnoge imale humanitarni karakter.
Hrvatska pošta d.o.o. Mostar izdala je prigodnu poštansku marku u arku od 9 maraka, žig i omotnicu prvoga dana (FDC).
Cultural heritage is unique and irreplaceable and as such it represents the value that must be preserved for future generations. In his artistic oeuvre, academy-trained painter and art pedagogue Ivica Vlašić mostly paints landscapes and horses and the idyllic beauty of nature of the Livno region, leaving it through his works to all of us as cultural heritage.
Ivica Vlašić (born 23 November 1954 in Vareš, living and working in Livno) graduated from the Academy of Fine Arts in Sarajevo in 1976. That same year he went on a study trip to Paris, and in 1981, as a holder of the Polish government scholarship, he specialized in painting in Warsaw. His works exude respect for the world around us. The idyllic nature, tranquillity of winter idyll or lush vegetation and unrestrained horses are an everlasting source of inspiration for an artist who captures a moment of beauty for us to enjoy it. He has had more over 50 solo exhibitions and participated in more than 150 group exhibitions. He has been included in the Encyclopaedia of Croatian Fine Arts in 1996 and in 1997 in the National Graphics Collection of the Croatian Club for International Cooperation as "aetas aurea of Croatian graphics". His paintings are held in museums, galleries and private collections around the world. He has been awarded numerous honours and awards, he is the organizer of and participant in numerous art colonies, many of which are humanitarian.
Croatian Post Ltd. Mostar has issued a commemorative postage stamp in a sheet of 9 stamps, a postmark and first day cover (FDC).
Ivica Vlašić (rođen 23. 11. 1954. u Varešu, živi i radi u Livnu) diplomirao je na Akademiji likovnih umjetnosti u Sarajevu 1976. Iste godine odlazi na studijsko putovanje u Pariz, a 1981. specijalizira slikarstvo kao stipendist poljske vlade u Varšavi. Njegova djela odišu poštovanjem prema svijetu koji nas okružuje. Idilična priroda, mir zimske idile ili bujna vegetacija i nesputani konji vječna su inspiracija umjetnika koji zaustavlja trenutak ljepote u kojemu uživamo. Ostvario je više od 50 samostalnih te sudjelovao na više od 150 skupnih izložaba. Uvršten je u Enciklopediju hrvatske likovne umjetnosti 1996. godine, a 1997. godine u Nacionalnu zbirku grafika Hrvatskog kluba za međunarodnu suradnju kao "Aetas aurea hrvatske grafike". Njegove slike nalaze se u fundusima muzeja i galerija te privatnim kolekcijama širom svijeta. Dobitnik je brojnih priznanja i nagrada, organizator i sudionik brojnih likovnih kolonija od kojih su mnoge imale humanitarni karakter.
Hrvatska pošta d.o.o. Mostar izdala je prigodnu poštansku marku u arku od 9 maraka, žig i omotnicu prvoga dana (FDC).
Cultural heritage is unique and irreplaceable and as such it represents the value that must be preserved for future generations. In his artistic oeuvre, academy-trained painter and art pedagogue Ivica Vlašić mostly paints landscapes and horses and the idyllic beauty of nature of the Livno region, leaving it through his works to all of us as cultural heritage.
Ivica Vlašić (born 23 November 1954 in Vareš, living and working in Livno) graduated from the Academy of Fine Arts in Sarajevo in 1976. That same year he went on a study trip to Paris, and in 1981, as a holder of the Polish government scholarship, he specialized in painting in Warsaw. His works exude respect for the world around us. The idyllic nature, tranquillity of winter idyll or lush vegetation and unrestrained horses are an everlasting source of inspiration for an artist who captures a moment of beauty for us to enjoy it. He has had more over 50 solo exhibitions and participated in more than 150 group exhibitions. He has been included in the Encyclopaedia of Croatian Fine Arts in 1996 and in 1997 in the National Graphics Collection of the Croatian Club for International Cooperation as "aetas aurea of Croatian graphics". His paintings are held in museums, galleries and private collections around the world. He has been awarded numerous honours and awards, he is the organizer of and participant in numerous art colonies, many of which are humanitarian.
Croatian Post Ltd. Mostar has issued a commemorative postage stamp in a sheet of 9 stamps, a postmark and first day cover (FDC).
HP Mostar
01 rujna, 2019
ARHITEKTURA HP MOSTAR 2019. Mostovi / ARCHITECTURE 2019. Bridges
Mostovi su simbol Mostara, grada na Neretvi koji je gospodarsko, sveučilišno i kulturno središte Hercegovine. Prema dostupnim izvorima prvi put se spominje 3. travnja 1452. u spisima dubrovačkih trgovaca koji spominju prijelaz iznad rijeke Neretve. Najvjerojatnije se radilo o drvenoj konstrukciji na jakim željeznim lancima. Poznati Stari most sagrađen je 1566. po nalogu osmanskog sultana Sulejmana Veličanstvenog. Dolaskom austro-ugarske uprave 1878. grad doživljava snažan graditeljski procvat. U to vrijeme sagrađena su tri mosta: Most cara i kralja Franje Josipa, Lučki most i Carinski most.
Lučki most (1912. - 1913.) bio je prvi armiranobetonski most izgrađen u BiH i ujedno veliki graditeljski pothvat tog vremena. Izgrađen je prema idejnom projektu inženjera Miloša Komadine, a na inicijativu gradonačelnika Mostara Mujage Komadine. Imao je široki kolnik, nogostup i na početcima mosta dvije svjetiljke (dva kandelabera).
Carinski most (1916. - 1917.) izgrađen je prema idejnom projektu ing. Miloša Komadine. Koristio se za kolski i željeznički promet te su na mostu bile ugrađene tračnice za uski i normalni kolosijek. Most je izgrađen s bogato ukrašenim ogradama i kioscima na dva luka. Luk nad Neretvom imao je raspon 56 m, a nad obalom 35 m.
Bridges are symbols of Mostar, a town on the river Neretva which is economic, university and cultural center of Herzegovina. According to the available sources it was first mentioned on April 3,1452. in the records of merchants from Dubrovnik mentioning the transition over the river Neretva. It was probably a bridge with wooden construction with strong iron chains. Well known the Old bridge was built in 1566., by order of Ottoman Sultan Suleyman Majestic. With the arrival of Austro-Hungarian administration in 1878., a town is experiencing strong architectural bloom. At that time, three bridges were built: The Emperor and King Franz Joseph bridge, Port bridge and Carinski (emperor’s) bridge.
The Port bridge (1912. - 1913.) was the first reinforced concrete bridge built in B&H and also a major architectural project of that time. It was built according to the original project of engineer Miloš Komadina and at the initiative of the city mayor of Mostar Mujaga Komadina. It had a wide road, pavement and at the beginnings of the bridge two lamps (two candelabras).
Carinski (Emperor’s) bridge (1916. - 1917.) was built according to the original project of engineer Miloš Komadina. It was used both for car and rail traffic and railways were included on the bridge for narrow and normal pavement. The bridge was built with richly decorated fences and kiosks on two arches. An arch over the river Neretva had a range of 56m and over the coast 35m.
Lučki most (1912. - 1913.) bio je prvi armiranobetonski most izgrađen u BiH i ujedno veliki graditeljski pothvat tog vremena. Izgrađen je prema idejnom projektu inženjera Miloša Komadine, a na inicijativu gradonačelnika Mostara Mujage Komadine. Imao je široki kolnik, nogostup i na početcima mosta dvije svjetiljke (dva kandelabera).
Carinski most (1916. - 1917.) izgrađen je prema idejnom projektu ing. Miloša Komadine. Koristio se za kolski i željeznički promet te su na mostu bile ugrađene tračnice za uski i normalni kolosijek. Most je izgrađen s bogato ukrašenim ogradama i kioscima na dva luka. Luk nad Neretvom imao je raspon 56 m, a nad obalom 35 m.
Bridges are symbols of Mostar, a town on the river Neretva which is economic, university and cultural center of Herzegovina. According to the available sources it was first mentioned on April 3,1452. in the records of merchants from Dubrovnik mentioning the transition over the river Neretva. It was probably a bridge with wooden construction with strong iron chains. Well known the Old bridge was built in 1566., by order of Ottoman Sultan Suleyman Majestic. With the arrival of Austro-Hungarian administration in 1878., a town is experiencing strong architectural bloom. At that time, three bridges were built: The Emperor and King Franz Joseph bridge, Port bridge and Carinski (emperor’s) bridge.
The Port bridge (1912. - 1913.) was the first reinforced concrete bridge built in B&H and also a major architectural project of that time. It was built according to the original project of engineer Miloš Komadina and at the initiative of the city mayor of Mostar Mujaga Komadina. It had a wide road, pavement and at the beginnings of the bridge two lamps (two candelabras).
Carinski (Emperor’s) bridge (1916. - 1917.) was built according to the original project of engineer Miloš Komadina. It was used both for car and rail traffic and railways were included on the bridge for narrow and normal pavement. The bridge was built with richly decorated fences and kiosks on two arches. An arch over the river Neretva had a range of 56m and over the coast 35m.
HP Mostar
HP MOSTAR - Arheološko blago - Katakombe u Jajcu / Archeological treasure - Catacombs in Jajce
Katakombe u Jajcu, kršćanska vjerska građevina, nacionalni je spomenik Bosne i Hercegovine. U pisanim izvorima Jajce se prvi put spominje 1396. godine u vrijeme vladavine Hrvoja Vukčića Hrvatinića kada grad doživljava politički i kulturni razvoj. Pretpostavlja se da su tada u živoj stijeni isklesane katakombe kao grobnica za njega i njegovu obitelj. Pred ulazom u narteks (ulazni trijem), na stijeni u predvorju s lijeve i desne strane vrata, uklesane su dvije nedovršene figure. Muška figura u lijevoj ruci drži spušteni mač, a do nje se nalazi naznaka grba, vjerojatno grba Hrvoja Vukčića Hrvatinića. Uklesana ženska figura u lijevoj ruci ima heraldički znak. Narteks, iz kojega se ulazi u glavni dio prostorija, djelomično je zidan kamenom i pokriven bačvastim svodom. Iznad baptisterija s krstionicama isklesani su lučni otvori. U glavnom dijelu crkve, uz bočne zidove, u podu su smještene grobnice. Na lijevoj strani nalazi se udubina na kraju koje je isklesan dvostruki križ, a desno i lijevo od njega sunce i polumjesec. Iz glavne prostorije četiri stube vode u kriptu s oltarom koji ima perforaciju u obliku dvostrukog križa, također s polumjesecom i suncem.
Catacombs in Jajce, a Christian religious building, are a national monument of Bosnia and Herzegovina.In written records name Jajce was first mentioned in 1396 in the time of the rule of Hrvoje Vukčić Hrvatinić when the town is experiencing political and cultural development. It is assumed that at that time catacombs were built in the living rock as a tomb for him and his family. In front of the entrance to the narthex (entrance porch), on the rock in the lobby on the left and right side of the door, two unfinished figures are engraved. The male figure holds the lowered sword in the left hand with a coat of arms, probably a coat of Hrvoje Vukčić Hrvatinić. Engraved female figure has a heraldic mark in her left hand. Narthex, from which enters the main part of the room, is partially built with the stone and covered with a barrel vault. Above the baptistery there are bow openings. In the main part of the church, along the side walls, tombs are located on the floor. On the left side there is a hollow on which a double cross is engraved, and to the right and left from it there are the sun and the crescent moon. From the main room the four pillar goes into the crypt with an altar that has perforation in the form of a double cross, also with the sun and the crescent moon.
Catacombs in Jajce, a Christian religious building, are a national monument of Bosnia and Herzegovina.In written records name Jajce was first mentioned in 1396 in the time of the rule of Hrvoje Vukčić Hrvatinić when the town is experiencing political and cultural development. It is assumed that at that time catacombs were built in the living rock as a tomb for him and his family. In front of the entrance to the narthex (entrance porch), on the rock in the lobby on the left and right side of the door, two unfinished figures are engraved. The male figure holds the lowered sword in the left hand with a coat of arms, probably a coat of Hrvoje Vukčić Hrvatinić. Engraved female figure has a heraldic mark in her left hand. Narthex, from which enters the main part of the room, is partially built with the stone and covered with a barrel vault. Above the baptistery there are bow openings. In the main part of the church, along the side walls, tombs are located on the floor. On the left side there is a hollow on which a double cross is engraved, and to the right and left from it there are the sun and the crescent moon. From the main room the four pillar goes into the crypt with an altar that has perforation in the form of a double cross, also with the sun and the crescent moon.
HP Mostar
13 veljače, 2019
HP MOSTAR 28.1.2019. Europski dan zaštite osobnih podataka - European Data Protection Day
Europski dan zaštite osobnih podataka, koji je proglasio Odbor ministara Vijeća Europe, prvi put obilježen je 2007. godine.Prvi i osnovni cilj bio je upoznati europske građane s razlozima i načinima prikupljanja i obrade osobnih podataka, te s njihovim pravima i obvezama.
U zemljama Europske unije na snazi je Opća uredba o zaštiti osobnih podataka, a prema njoj osobni podatak je bilo koja informacija koja osobu može identificirati. Regulativa se odnosi i na sve zemlje izvan Europske unije koje koriste podatke europskih građana ili im prodaju robu ili usluge. Ovom uredbom građanima je omogućen jednostavniji pristup njihovim podacima te mogućnost informiranja o tome na koji način i u koju svrhu se ti podatci obrađuju. Uvodi se i „pravo na zaborav”, odnosno mogućnost da ispitanik zatraži od poduzeća i organizacija brisanje svojih podataka, uz uvjet da ne postoje zakoniti razlozi za njihovo zadržavanje. Posebna skupina su djeca i mladi koji su prepoznati kao osobito ranjiva skupina jer često nisu svjesni opasnosti kojima se izlažu prilikom neopreznog upravljanja svojim osobnim podacima.
European Data Protection Day, that was proclaimed by the Committee of Ministers of the Council of Europe, was celebrated for the first time in 2007. The first and main goal was to familiarize european citizens with the reasons and methods of collection and processing of personal data, and also with their rights and obilgations.
In countries of the European Union, General Data Protection Regulation(GDPR) has enterd into force, and according to this regulation personal information is any information that may be identified to a person. This regulation applies to all countries outside the European Union that use data from european citizens or sell goods or services to them. Through this regulation, citizens have a simpler access to their data and possibilities of being informed about the manner and in which purposes the data is being processed. Also the „Right to be Forgotten“ was introduced, or in other words it is possible for an examinee to request from a company and organization to delete his/her data, under the conditions that there are no legal reasons for retainment. A specific group represent children and youngsters that are considered especially vulnerable because they often are not aware of the threats they are exposed to upon incautious managing of their personal information.
U zemljama Europske unije na snazi je Opća uredba o zaštiti osobnih podataka, a prema njoj osobni podatak je bilo koja informacija koja osobu može identificirati. Regulativa se odnosi i na sve zemlje izvan Europske unije koje koriste podatke europskih građana ili im prodaju robu ili usluge. Ovom uredbom građanima je omogućen jednostavniji pristup njihovim podacima te mogućnost informiranja o tome na koji način i u koju svrhu se ti podatci obrađuju. Uvodi se i „pravo na zaborav”, odnosno mogućnost da ispitanik zatraži od poduzeća i organizacija brisanje svojih podataka, uz uvjet da ne postoje zakoniti razlozi za njihovo zadržavanje. Posebna skupina su djeca i mladi koji su prepoznati kao osobito ranjiva skupina jer često nisu svjesni opasnosti kojima se izlažu prilikom neopreznog upravljanja svojim osobnim podacima.
European Data Protection Day, that was proclaimed by the Committee of Ministers of the Council of Europe, was celebrated for the first time in 2007. The first and main goal was to familiarize european citizens with the reasons and methods of collection and processing of personal data, and also with their rights and obilgations.
In countries of the European Union, General Data Protection Regulation(GDPR) has enterd into force, and according to this regulation personal information is any information that may be identified to a person. This regulation applies to all countries outside the European Union that use data from european citizens or sell goods or services to them. Through this regulation, citizens have a simpler access to their data and possibilities of being informed about the manner and in which purposes the data is being processed. Also the „Right to be Forgotten“ was introduced, or in other words it is possible for an examinee to request from a company and organization to delete his/her data, under the conditions that there are no legal reasons for retainment. A specific group represent children and youngsters that are considered especially vulnerable because they often are not aware of the threats they are exposed to upon incautious managing of their personal information.
HP Mostar
01 siječnja, 2019
25 prosinca, 2018
Philately Liechtenstein WWF 2017. - Četiri divlje vrste ponovno su se nastanile u regiji / Four wildlife species settled in the region again
Zbirka WWF maraka je najveća tematska zbirka na svijetu. U svom najnovijem izdanju WWF-a, Filatelija Lihtenštajn prikazuje četiri vrste divljih životinja za koje se dugo vjerovalo da su izumrle, ali su se u međuvremenu ponovno nastanile u regiji: „dabar“ (nominalna vrijednost: CHF 0,85), „ris“ (nominalna vrijednost: CHF 1,00) , “vuk” (nominalna vrijednost: CHF 1,30) i “roda” (nominalna vrijednost: CHF 1,50).
Dabar se vratio natrag u Lihtenštajn 2008. godine i od tada neprestano obitava. Pronalazi samo nekoliko prirodnih područja gdje može graditi svoje stanište kako to želi. Ris je aktivno ponovno došao u Švicarsku 1971. godine i od tada se širi i u Kneževinu. Vukovi su migrirali u Švicarsku s juga od 1990-ih. Oni žive u blizini regije Calanda. Posljednjih godina vukovi su viđeni na četiri različite lokacije. Zahvaljujući naporima raznih organizacija, par roda je 2007. Lihtenštajn načinio svojim domom - prvi put u više od 100 godina. U međuvremenu, Lihtenštajn broji šesnaest gnijezda roda.
With over one billion stamps printed, the WWF stamp collection is the largest thematic collection in the world. In its latest WWF issue, Philately Liechtenstein is showing four wildlife species which were long believed to be extinct but have “Beaver” (face value: CHF 0.85), “Lynx” (face value: CHF 1.00), “Wolf” (face value: CHF 1.30) and “Stork” (face value: CHF 1.50).
The beaver found its way back to Liechtenstein in 2008 and has been propagating continually since then. But it finds only few natural areas in the valley where it can build its habitat as it pleases. Lynx were actively reintroduced to Switzerland in 1971 and have been spreading in the Principality since that date. Wolves have been migrating into Switzerland from the south since the 1990s. They live nearby in the Calanda region as well as in other places. In recent years, wolves were seen on four different unconfirmed occasions. Due to the efforts of various organisations, a stork couple made Liechtenstein their home in 2007 – for the first time in over 100 years. In the meantime, Liechtenstein counts sixteen stork nests.
Philately Liechtenstein
Dabar se vratio natrag u Lihtenštajn 2008. godine i od tada neprestano obitava. Pronalazi samo nekoliko prirodnih područja gdje može graditi svoje stanište kako to želi. Ris je aktivno ponovno došao u Švicarsku 1971. godine i od tada se širi i u Kneževinu. Vukovi su migrirali u Švicarsku s juga od 1990-ih. Oni žive u blizini regije Calanda. Posljednjih godina vukovi su viđeni na četiri različite lokacije. Zahvaljujući naporima raznih organizacija, par roda je 2007. Lihtenštajn načinio svojim domom - prvi put u više od 100 godina. U međuvremenu, Lihtenštajn broji šesnaest gnijezda roda.
With over one billion stamps printed, the WWF stamp collection is the largest thematic collection in the world. In its latest WWF issue, Philately Liechtenstein is showing four wildlife species which were long believed to be extinct but have “Beaver” (face value: CHF 0.85), “Lynx” (face value: CHF 1.00), “Wolf” (face value: CHF 1.30) and “Stork” (face value: CHF 1.50).
The beaver found its way back to Liechtenstein in 2008 and has been propagating continually since then. But it finds only few natural areas in the valley where it can build its habitat as it pleases. Lynx were actively reintroduced to Switzerland in 1971 and have been spreading in the Principality since that date. Wolves have been migrating into Switzerland from the south since the 1990s. They live nearby in the Calanda region as well as in other places. In recent years, wolves were seen on four different unconfirmed occasions. Due to the efforts of various organisations, a stork couple made Liechtenstein their home in 2007 – for the first time in over 100 years. In the meantime, Liechtenstein counts sixteen stork nests.
Philately Liechtenstein
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